Last week’s Supernatural episode functioned more as the season six finale than the season seven premiere, tying up loose ends and giving closure to the dominant arcs of the previous season. This week’s episode, “Hello, Cruel World” launches what promises to be the driving action for season seven- Sam, Dean, and Bobby’s attempts to fight Leviathan (the Leviathan? Not sure about that one). We pick up right where last week left off, with Cas all but gone and the Leviathan having taken over his body (or, more accurately, Jimmy’s body). This promised to make for an interesting season, with our Big Bad wearing the face of a long-trusted ally. Edlund quickly subverts expectation, however, and gives us the (probably not permanent, knowing how these things go) death of Cas, trench coat and all. The moment spent in grief is appropriate, but missing, for this fan at least, was a mention of Jimmy. Cas isn’t the only one that died in that water.
The montage of people using and playing in water were a bit on the nose, but effective none the less. This felt more like the setup for a new series, not just a season, with Sam and Dean having to hunt down the BlackOozyBadGuysFromPurgatory one episode at a time. Once again, expectations are subverted, with a hierarchy almost immediately established, as well as a plan of some sort. The casting of the nameless baddies is fun, though they are a bit slow at assimilating, given that even the one possessing the young girl should know about the internet. Benito Martinez looks to be having fun in a role very different from his most prominent TV credit, as David Aceveda on The Shield. Olivia Steele-Falconer is also good in her brief stint and Edlund’s inclusion of Doctor Sexy, MD as a plot point is hilarious. Edlund, a genre fan favorite well known for his creation of The Tick, as well as for writing Firefly’s “Jaynestown”, can usually be relied upon to bring the funny, and this is no expectation.
Supernatural has had success with creepy hospitals in the past, though they tend more frequently towards mental wards than the more standard for their horror settings. Nosocomephobia, or fear of hospitals, is rather common and the cinematography and direction of the episode play to this, highlighting the impersonality of the setting and the coldness of the blank, white walls. As in the previous episode, this week sees the return of a prominent guest star from the past, Sheriff Jody Mills. Adding this personal touch does a lot to up the audience’s fear and immediately invests them in the situation. It’s been long enough since Sheriff Mill’s last appearance that one would be forgiven for forgetting her face, particularly if they missed the “Previously On…”, and the decision to hold off on her name until her call to Bobby, to not have the Doctor read it off the chart or somesuch, allows for an instant shot of stakes and gravitas just when the hospital storyline starts becoming less interesting than Sam’s scenes with Lucifer.
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